36 hours movie part 1 Yes, I

36 hours movie part 1

Yes, I know about Betamax, too, but VHS beat the pants off it. Now we have Blu-ray discs. Please note that Blu-ray is the correct spelling and capitalization. /wiki/Blu-rayDisc And first we had B W TV, then color, and now HDTV. So, whats next? Three-dimensional projections recorded on hyper-dense spheres? What say you, technophiles? Betamax was a superior technology, it yielded a superior quality of picture. VHS was just better marketed. Beta and VHS are BASICALLY the same technology. I bet were going to be going away from Disc and physical media all together. Eventually your TV Will just download the movie you want to see. Were already seeing the advent of SD cards that carry albums and such. And now that there are TVs that read SD well, you can put two and two together. Im really surprised that Gaming consoles arent going to Solid State again. You can cramp several gig on a USB Drive now. Why not do something similiar with the Gaming consoles? Im really surprised that Gaming consoles arent going to Solid State again. You can cramp several gig on a USB Drive now. Why not do something similiar with the Gaming consoles? Cost. Making a DVD is cheap compared to solid state. Besides, everything is moving to Steam like methods and will use the usual standard storage devices. Might take 20 years but we will get there. Beta and VHS are BASICALLY the same technology. I bet were going to be going away from Disc and physical media all together. Eventually your TV Will just download the movie you want to see. In 20 years we wont even have TVs anymore, just various mobile devices that will allow people to take downloaded news, movies, music, games, and other entertainment programs everywhere. In 20 years we wont even have TVs anymore, just various mobile devices that will allow people to take downloaded news, movies, music, games, and other entertainment programs everywhere. Or, in 100 years, plug our brains into the Net run by Cyberdyne Industries Terminator ! Or, alternatively, whatever the name of the entity in the Matrix movies was. Or, in 100 years, plug our brains into the Net run by Cyberdyne Industries Terminator ! Nah in 100 years well forgo technology all together and live like cavemen. All times are GMT The time now is 02:44 AM. Powered by vBulletin Version 8 Copyright 2000 2011, Jelsoft Enterprises Ltd. Copyright 2009 by Paramount Pictures. STAR TREK and all related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved. It took several decades, but the finally came up with its legitimate, non-comic answer to the George Romero Zombie series with Danny Boyles 28 Days Later 2003 impressing some fans very thoroughly as zombies arrive unexpectedly in Britain. One such fan wrote this review for us when the DVD arrived: Though I was not as impressed, it was still an intelligent, respectable showing as far as serious Horror/Zombie cinema that worked was, though I did not think it broke much new ground. Cillian Murphy is always interesting to watch and is one of the reasons the film worked. The supporting cast helped too, but they could only do so much with Alex Garlands script. It was not as effective as the likes of Raw Meat aka Death Line, the 1972 classic about a cannibal in the London subways with Donald Pleasance, plus the use of digital video became annoying and took away from the suspense. Still, it was a hit and that seemed like enough. The silly Resident Evil films arrived and spoofs like Shawn Of The Dead joined their equal Return Of The Living Dead in the cannon of Zombie cinema of note, so when I heard we were getting a sequel called 28 Weeks Later 2007 years after the first film was a hit, I wondered what they would do and if they would know what to do, if anything. To my very pleasant surprise, co-writer/director Juan Carlos Fresnadillo and company understood, loved the genre, were willing to take risks, make character development a top priority and go for it scene after scene. The result is a sequel superior to the original, bringing the intensity of the subject matter into palpable, current frame that makes for one of the most intense films of its kind to date.